翻訳と辞書 Words near each other ・ St Marys railway station ・ St Marys railway station, Sydney ・ St Marys Roman Catholic Church, Ipswich ・ St Marys Senior High School ・ St Marys, Dundee ・ St Marys, New South Wales ・ St Marys, South Australia ・ St Marys, Tasmania ・ St Mary’s Cathedral of Kandanad ・ St Mary’s Church, Harborne, Birmingham ・ St Materiana's Church, Tintagel ・ St Matthew Academy ・ St Matthew Friday Street ・ St Matthew Passion ・ St Matthew Passion (disambiguation) ・ St Matthew Passion discography ・ St Matthew Passion structure ・ St Matthew's Academy ・ St Matthew's Anglican Church, Drayton ・ St Matthew's Church, Boughton ・ St Matthew's Church, Brixton ・ St Matthew's Church, Bromborough Pool ・ St Matthew's Church, Buckley ・ St Matthew's Church, Burnley ・ St Matthew's Church, Cotham ・ St Matthew's Church, Duddeston and Nechells ・ St Matthew's Church, Guildford ・ St Matthew's Church, Haslington ・ St Matthew's Church, Jersey ・ St Matthew's Church, Kensington Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク St Matthew Passion discography ： ウィキペディア英語版 St Matthew Passion discography Recordings of the ''St Matthew Passion'' are shown as a sortable table of selected notable recordings of Johann Sebastian Bach's ''St Matthew Passion''. The selection is taken from the 253 recordings listed on bach-cantatas as of 2015, beginning with a recording from 1939 by a symphony orchestra and choir to match. Beginning in the late 1960s, historically informed performances paved the way for recordings with smaller groups, boys choirs and ensembles playing period instruments, taken to an extreme in recordings using only one voice on a vocal part. == History == The work was first recorded by symphonic choirs and orchestras. From the late 1960s, historically informed performances (HIP) tried to adhere more to the sounds of the composer's lifetime, who typically wrote for boys choirs and for comparatively small orchestras of Baroque instruments, often now called "period instruments". Some scholars believe that Bach used only one singer for a vocal part in the choral movements, termed "one voice per part" (OVPP). On some of these recordings, the solo singer is reinforced in choral movements with a larger orchestra by a ripieno singer (OVPP+R). The first recording of the work was conducted by David McKinley Williams with the choir of St. Bartholomew, New York in 1930, but was not complete. Serge Koussevitzky conducted a performance on Good Friday 1937, sung in English. The table begins with the recording conducted by Willem Mengelberg in 1939. In 1970 the first HIP recording appeared, conducted by Nikolaus Harnoncourt. The first OVPP recording appeared in 2003, conducted by Paul McCreesh. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「St Matthew Passion discography」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.